Dandelion: The Power of Hidden Community

You never know who's watching or who is willing to help.

In 1970s Los Angeles, Margaret, a rebellious queer teen is thrown out of another foster placement and finds herself in the company of a mysterious social worker, Joyce.

Director Fiona Obertinca does an amazing job of introducing this film as a lighthearted, comedic piece just moments before dropping the audience into Margaret’s world.

She’s in nature, the sun is kissing her skin, she’s carefree, oh, and she’s flicking off a group of nuns chasing her. Her defiant, rambunctious demeanor feels fun, but throughout the film, we learn that this is a cry for help. Underneath Margaret’s seemingly thick skin, she’s anxious, scared, and lonely.

Joyce, the mysterious social worker, is patient but stern and feels like a big sister to Margaret upon meeting. Their relationship feels like one of fate, but it’s intentional. Like a big sister, it’s revealed that Joyce was looking out for Margaret all along.

There’s a moment where Margaret is annoyed after being dragged from home to home, and is confused at why Joyce won’t just leave her alone. For the first time, the audience learns that Joyce could have had a more genuine reason for helping Margaret so intently. Obertinca does a great job dropping subtle signs of this, elegantly merging with the storyline, writer Corey Pinchoff has created.

Dandelion is gratifying, powerful, and will make you smile and tear up. This is a beautiful watch and an amazing short film on behalf of the Brooklyn Film Festival.